Sherlock Holmes (
clueingforlooks) wrote2015-03-16 02:18 am
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Everyone says you bring out the worst in me like that's a bad thing.
Ten days without a case. Ten days. Sherlock was out of his mind for it. Dozens of would-be cases had come in to his inbox and been dismissed quickly for one reason or another, solved, puerile, boring. It was past the phase where he'd likely blow holes in the walls of the flat, save for the fact that John's taken fresh measures at locking the firearms away from him, damn him.
It would seem that everything about Sherlock is building to a crescendo in the absence of work, even if realistically he's always on an ever escalating path to some madness or other. At least, though, when he's got a case, all this energy is focused in one direction. The past week and a half have been spent tearing through the flat. It's left his bedroom in wild disarray and the kitchen sink half out of commission. Which is to say that one basin is being used to test post-mortem bloat and skin slippage of something that's held submerged at the bottom tied to a weight - what that is, God only knows. There were a string of days in there where Sherlock hadn't bathed, hadn't checked in on his various experiments all over the flat - thankfully that string has been broken today with a long hot shower followed with more of the same. Pacing, staring, checking the website, and pestering John as if he has some kind of answer. As if he's holding out on him.
There's two emails he's just read not long ago, and he's not even going to bother writing them back right now. They barely had cause to write - it ought to be obvious, the answer - and so he's perched the laptop on a nearby pile of books and is sitting, staring into the fireplace, apparently lost in thought.
It would seem that everything about Sherlock is building to a crescendo in the absence of work, even if realistically he's always on an ever escalating path to some madness or other. At least, though, when he's got a case, all this energy is focused in one direction. The past week and a half have been spent tearing through the flat. It's left his bedroom in wild disarray and the kitchen sink half out of commission. Which is to say that one basin is being used to test post-mortem bloat and skin slippage of something that's held submerged at the bottom tied to a weight - what that is, God only knows. There were a string of days in there where Sherlock hadn't bathed, hadn't checked in on his various experiments all over the flat - thankfully that string has been broken today with a long hot shower followed with more of the same. Pacing, staring, checking the website, and pestering John as if he has some kind of answer. As if he's holding out on him.
There's two emails he's just read not long ago, and he's not even going to bother writing them back right now. They barely had cause to write - it ought to be obvious, the answer - and so he's perched the laptop on a nearby pile of books and is sitting, staring into the fireplace, apparently lost in thought.
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Sherlock is enjoying this a great deal too much. Maybe he doesn't show it, his face all focus and concentration as he struggles John down flat on his back and finds him significantly more combative than he'd counted on. He's tired, and Sherlock is trying to use that still-sleepy slowness against him, but it's overall not a completely unfair fight. If anything, when Sherlock speaks, he only fuels it as he fuels John's anger.
"Do you give up, then?" he asks in a rush of breath, because of course it's a competition, of course there's going to be a winner and sure, he'll stop, he'll let John up, but only if he admits defeat.
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"What is wrong with you? Is this about last night?" He wants answers, because like hell he's going to give up when he's the one who's being assaulted. He twists a little and manages to catch a foot on the floor, pushing up enough to try to knock Sherlock off of him. "I was-- nngh! Going to apologise!" he shouts. "I'm sorry! I shouldn't have punched you!"
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"It's the training exercise," he manages before John twists in his arms and catches a foot on the floor and Sherlock can feel the balance of the fight shifting. John almost knocks him off - succeeds, actually, in shaking his hold away from his wrists and Sherlock struggles to catch them again and, failing, instead loops a lanky arm around to catch him in a choke hold. At first it's tight, almost too tight for a moment in the rush to get a hold of him and stop him turning over, but then loosens his hold enough that John could reply to him easily as he's rumbling against his ear, "Beg for mercy..."
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"Sherlock... Sherlock-- I can't breathe!" he croaks out just before Sherlock's arm loosens around his neck. But then... oh but then, he hears the rumble of Sherlock's voice against his ear, and it shoots a chilling bolt straight through him, strong enough to make him shudder and whine. He's lost his head, but only for a moment before he's trying to pry his arm off from around his neck. That bastard. Now he really can't force himself to quit. He could win this... he really could! Even with how weak Sherlock's voice and the restricted air to his brain was making him.
"I'm... I'm not--!!"
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He is however very well aware that this move may well elicit interesting reactions from John, judging from what he'd experienced in the kitchen and in the alley. John's gasping about how he can't breathe at first, but then once the grip loosens, everything changes. The tension in John's body changes perceptibly and he's not quite sure what to make of it or what it had changed to, but he hears that low whine and the pieces begin to fall together. He's not fully aware of it before his own body starts reacting. He's more aware of the causal factors for John than he is for himself. Proximity to John, certainly, but did the struggle play a part in it? His position of control? The edge of danger, the rush, like was there for John - was that effecting Sherlock too?
His breath is hot on John's neck and he's fairly sure he's said again that John ought to beg mercy, but he hasn't actually uttered a word. It's all in his head, and the only sound he's made is some low guttural strangled sound as John fights him weakly and Sherlock holds on, careful not to actually choke him but tight enough to keep him close. If it all doesn't make sense immediately for John, it will when he realizes that there's a particular press against his lower back as this goes on.
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He continues to strain, trying, and failing, to ignore the breath against his neck that's making his grip weaker by the second and the stars he's seeing in front of his eyes. He can't help but to let out another quiet whimper. Struggling is becoming more difficult by the second, oh but if he taps out now, he'll never hear the end of it from him.
But there's something odd about the way Sherlock's got him down, and it takes a moment for him to sort out where it was coming from. Oh Christ, he's got... John taps the floor -- pounds on it, really, and through a strained voice says, "Uncle! Uncle! I've had enough, let me up!" This is too weird now, and it doesn't help that Sherlock's own treatment of him had him... well, uncomfortable was a mild word for it.
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Until now. Sherlock is so close to John that he can smell him. He hasn't showered yet today, though there's still a lingering hint of his cheap soap and deodorant beneath the warm scent of his skin. John whimpers in his arms as the fight fades out of him and to Sherlock's body, starved as it is for physical contact, the way John moves - trying and failing to struggle away - feels unspeakably good. His body shifting, twisting in his grip brings friction between them and Sherlock suddenly and remarkably has forgotten how this started. Was he going to say something? Something comes out in a low groan over the shell of John's ear that's definitely not another demand that John give up, because he's entirely forgotten that they were fighting.
Is John talking? He could swear he's heard his voice and yet he hasn't got a clue what he's saying. He suddenly feels that he finally knows what the fuss was about. Efficiency be damned. Those rare times he takes care of himself with his hand, that entire failed experiment years before, they're absolutely nothing compared to this. To just the simple rush of holding John tight, the friction as they move, and the soft sounds he makes (even if his actual words fall away).
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Christ, John did not need Sherlock moaning into his ear. Not this early, and not... ever, he supposed. If anything, did he really have to be that close to his damn ear when he did it? But he wasn't letting go. Why the hell wasn't he letting go? "Sherlock-!!" It was the best he could do to try to get his attention like this. Now, instead, he finds himself in a rather awkward and potentially dangerous situation.
There are of course a number of things that John can do to fix this and get on with his morning and pretend none of it ever happened. The sooner that John could put all of this nonsense out of his mind and in the past, the sooner he could get on with his life.
Still, he can't deny that the voice was doing... things to him... things he didn't want to think about or even acknowledge as things at all. He was growing more and more uncomfortable by the second, and being so violently pressed against the floor was absolutely not helping. He tapped the floor again, and when it was plainly obvious that Sherlock was miles away, he did the only thing he could think to do to grab his attention:
He ducked his head and sank his teeth into his arm.
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He doesn't let go, but the hands on John aren't trying to pin him down or choke him or hold him immobile, they're just... still there. Close in a way that seems very Sherlock in its lack of understanding of personal space combined with more awareness as to what's going on than John could hope to have right now, even though they've never been close quite like this.
"Sorry," Sherlock huffs out, muffled against John's shoulder. He actually apologized. And it's not insincere, but it's off the mark. He's sorry for carrying on the training exercise too long when things had obviously begun to shift in a different direction. Surely John's aware of that? His reactions confirm as much - the sounds, the shivers - surely John is aware of what the reactions of his own body mean. Sherlock is, and this isn't even his area. For the moment, he's catching his breath or trying to, still so keyed up from taking John down that he needs a few seconds just to breathe.
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He's about to shut himself down like he always does when he needs to emotionally distance himself from a problem, right up until he hears Sherlock's apology come in over his shoulder. He frowns just a little, mostly confused by it all, and he turns his head the best that he can to get a better look at him and let him see in turn the incredulous expression he's got.
John... still has no idea what to think of what had just happened. He knows he's upset, and he also knows he and his body are both very confused. He hates that his body liked the struggle of being unable to breathe properly, and he hates it even more that he had to figure it out like this. Of course, the thought had been on his mind since Sherlock brought it up the night before, but he wasn't planning on revisiting it any time soon, but clearly Sherlock had other plans. He doesn't like this one little bit, and he really doesn't like what he's feeling from Sherlock's body and what he might and might not be feeling.
Finally, he swallows hard and begins to push himself again, trying to stand up and slide Sherlock off of him. "I'd... I 'd like to get up now."
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So when John is trying again to stand, Sherlock lets him go and lingers on the floor while he stands, watching him climb to his feet. He's only half-present in watching him because he's mostly got his focus turned inwards, so he looks a little vacant and perhaps a touch dismissive, the way he tends to when he retreats into his mind palace. He should say something to John, maybe. It's an almost awkwardly long pause before he manages to say a very belated, "Of course."
Then he's standing and adjusting his clothes as though he'd just stood from being seated in a chair, and makes his way to the sofa, where he sits down, apparently going right from nearly humping John to casually relaxing without missing a beat, like nothing strange had happened at all.
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It's a long moment before John feels like he's got enough of a grip on his sanity to look away from him and assess the rest of the situation at hand. His hands, knees, and elbows hurt from hitting the floor too hard, he's got cooling coffee on his bathrobe and a still-steaming puddle of it on the floor amidst a mosaic of mug shards, and he's got Sherlock sat on the couch, thinking God knows what and probably planning his next attack. Where to start?
John gives a heavy sigh and returns to the kitchen for a dish towel to clean up the mess Sherlock made him make, and maybe if he was lucky, he would find the broken pieces of his mind while he was down there.
His body is clearly unhappy with John's decision to ignore this, though, and it's letting him know about it. It's actually so much of a problem that John is forced to close his bathrobe to keep himself from being too obvious about it. But it doesn't keep his mind from running it over and over again in his mind. What if he hadn't stopped? What if he hadn't done it in the first place? What now? Should he say anything or just let it evaporate as Sherlock had apparently done?
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By the time John is cleaning up the coffee, Sherlock's settled down to lay on his side on the sofa, facing away from the room. He's upset with himself for being wrong, for missing something, and his posture is tense, even though he's reclining. He wants to retreat into himself and explore what he'd overlooked, but John is everywhere. He can hear him moving around the room, clinking bits of broken mug together as he cleans up the floor... Sherlock doesn't say anything, but at great length, he does allow himself a sigh, as though he's really quite put out by John now.
If Sherlock had any insight into what he was feeling, he'd know he was ashamed of himself and his mistake and wanted to be alone, but too stubborn to actually leave.
The tension stayed with them over the rest of the day and into the next. Very few words were said between them, but at least the issue that remained unspoken was occupying all of Sherlock's attention and energy, distracting him from the lack of a case. By the following evening, he had exhausted the possibilities and felt prepared to confront John with his conclusions to find out which of the possibilities were true. This evening, he's in pajamas and a robe and laying more comfortably on the sofa, on his back, eyes closed as he considers everything. Senseless as to whether or not John was actually there, but assuming he was, he calls out, "John."